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Street art and the democratisation of urban spaces

January 13, 2025

DHAKA – Street art, which encompasses murals, graffiti, and paintings, is highly relevant in countries experiencing political and social crises. In Bangladesh, recent issues regarding street art demonstrate how it can serve as a form of protest, challenge authority, and spark discourse. Recently, former Prime Minister Sheikh Hasina’s mural at Dhaka University was erased at the administration’s behest. These works, which depicted social injustices and fascist inclinations, resonated with public outrage and underscored the fraught role of public art in articulating dissent. Beyond this immediate context, street art holds theoretical significance as a form of expression, resistance, and historical documentation.

In modern society, much of street art challenges societal norms and provokes dialogue. It acts as a bold expression, questioning authority, confronting stereotypes, and addressing pressing issues. Through its vivid and often provocative imagery, street art forces viewers to confront uncomfortable truths, serving as a catalyst for debate. Its accessibility ensures it reaches diverse audiences, enabling spontaneous interactions and fostering a sense of shared ownership within urban spaces. As pedestrians encounter these works, they become participants—active or passive—in a communal conversation.

Street art also transcends traditional artistic boundaries, transforming urban environments into open galleries that invite engagement from all. Unlike institutional art housed in exclusive galleries, street art democratises expression by making bold, impactful designs available to everyone. This inclusivity ensures that its messages resonate across socioeconomic and demographic divides, sparking dialogue on

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